Combining film, performance, sculpture, and installation, Alison O'Daniel structures her work as a call-and-response between mediums. Cinema, performance, sound-dampening textiles, sculptures, mobiles and large-scale installations foreground the deaf and hard of hearing experience through process, collaboration, and material. Her collaborations with composers and musicians often highlight the loss or re-creation of information as it passes through various channels, building a visual, aural, and haptic vocabulary as a means to tell stories inspired by events that are both historic and quotidian. O'Daniel has presented solo exhibitions at Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d'Art Contemporain Passerelle, Brest, France and performances at the Hammer Museum, Knockdown Center, and Art Los Angeles Contemporary. Writing on O'Daniel's work has appeared in The New York Times, Artforum, Los Angeles Times, and ArtReview. O'Daniel has received grants from the Rema Hort Mann Foundation; Center for Cultural Innovation; Art Matters; Franklin Furnace Fund; and California Community Foundation. She received a BFA in Fibers and Material Studies from the Cleveland Institute of Art, a Post-graduate Diploma of Fine Art from Goldsmiths College, University of London, and an MFA in Studio Art from UC Irvine, CA.